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Rama Studios’ seven impotent stages, Miss Pimple Billimoria, the latest chilli-and-spices bombshell -- she’s no flibberti-gibberti mamzel!, but a whir-stir-get-lost-sir bundla dynamite -- clad in temple—dancer veiled undress and positioned beneath writhing cardboard representations of copulating Tantric figures from the Chandela period, -- and perceiving that her major scene was not to be, her big break lay in pieces—offered up a spiteful farewell before an audience of sound recordists and electricians smoking their cynical beedis. Attended by a dumbly distressed ayah, all elbows, Pimple attempted scorn. “God, what a stroke of luck, for Pete’s sake,” she cried. “I mean today it was the love scene, chhi chhi, I was just dying inside, thinking how to go near to that fatmouth with his breath of rotting cockroach dung.” Bell-heavy anklets jingled as she stamped. “Damn good for him the movies don’t smell, or he wouldn’t get one job as a leper even.” Here Pimple’s soliloquy climaxed in such a torrent of obscenities that the beedi-smokers sat up for the first time and commenced animatedly to compare Pimple’s vocabulary with that of the infamous bandit queen Phoolan Devi whose oaths could melt rifle barrels and turn journalists’ pencils to rubber in a trice.

Exit Pimple, weeping, censored, a scrap on a cutting-room floor. Rhinestones fell from her navel as she went, mirroring her tears. . . in the matter of Farishta’s halitosis she was not, however, altogether wrong; if anything, she had a little understated the case. Gibreel’s exhalations, those ochre clouds of sulphur and brimstone, had always given him—when taken together with his pronounced widow’s peak and crowblack hair—an air more saturnine than haloed, in spite of his archangelic name. It was said after he disappeared that he ought to have been easy to find, all it took was a halfway decent nose . . . and one week after he took off, an exit more tragic than Pimple Billimoria’s did much to intensify the devilish odour that was beginning to attach itself to that forsolong sweet-smelling name. You could .say that he had stepped out of the screen into the world, and in life, unlike the cinema, people know it if you stink.

We are creatures of air, Our roots in dreams And clouds, reborn In flight. Goodbye . The enigmatic note discovered by the police in Gibreel Farishta’s penthouse, located on the top floor of the Everest Vilas skyscraper on Malabar Hill, the highest home in the highest building on the highest ground in the city, one of those double-vista apartments from which you could look this way across the evening necklace of Marine Drive or that way out to Scandal Point and the sea, permitted the newspaper headlines to prolong their cacophonies. FARISHTA DIVES UNDERGROUND, opined Blitz in somewhat macabre fashion, while Busybee in The Daily preferred

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